Shotlist

Shot list

Scene one:

1. Tilted uprising shot, within the bedroom.

2. Panning mid-shot from the back of the bully, rotating clockwise until it reaches his face.

3. Close-up on the bully’s facial expression.

4. Extreme close-up on the bully’s eyes.

5. Zoom out shot, from the eyes of the bully, managing to capture the opening of the door behind him in the shot.

Scene two:

1. A behind mid-shot of the three people going down the stairs.

2. A frontward long-shot of the bully and two of his friends coming down the stairs.

3. High angle shot of the stalker coming up the stairs, where the three people are coming down.

4. Mid-shot of the stalker fixing up his bag on his shoulder, before having to walk past the three.

5. A behind tracking shot following the stalker to the next set of stairs, what the bully is coming down on.

6. Rule of three shots – Mid-shot of one of the bully’s friends bumping into the stalker.

7. Rule of three shots – Angled shot of the two clashing.

8. Rule of three shots – A long shot of the full continuity of the bump.

9. A close up on the stalker’s facial reaction.

10. A wide shot of the two friends laughing.

11. A close up of the bully’s face, whilst he’s looking over his shoulder to see the stalker.

Scene three:

1. A side mid-shot of the stalker slamming his fist against the toilet walls.

2. Long shot of the stalker, putting his back against the wall.

3. A downwards tilted shot of the camera following the stalker’s body gradually sliding his back down the wall, the camera continues to go down up into the next shot of the flash back (fade transition between shots).

4. Side long shot of the bully pinning the stalker up against the walls in the school grounds.

Scene four:

1. Angled, establishing, long shot filmed from one corner of the classroom.

2. Frontward mid-shot of the stalker on his computer, observing the bully from their separated distance.

3. P.O.V. shot of the stalker watching the bully, whilst he is doing his work on his own computer.

4. P.O.V. shot of the stalker on the bully’s facebook profile.

5. A close up shot of the stalkers face.

6. Downward angled shot of the pen and paper beside the stalker’s computer.

7. A repeat shot of the first shot, so the audience can see the stalker writing a note a note and the bully getting on with his work.

8. Panning P.O.V. shaky cam shot of the stalker watching the bully exit the room.

9. A long shot of the stalker rushing to put the note on the desk of where the bully was working.

10. Mid-shot of the bully entering the room.

11. A behind tracking shot of the bully heading back to his seat.

12. A close-up of the bully’s face, as he sees the note.

13. An extreme close- up of the note, so it is legible for the audience to read.

14. Mid-shot of the bully.

15. Close-up of the stalker semi smirking at him.

Scene five:

1. Establishing long shot of the park.

2. Frontward long shot, of the bully throwing rocks into the pond.

3. Mid-shot of the stalker watching the bully, from a far distance.

4. P.O.V. shot of the stalker watching him behind some cover (preferably behind a tree).

5. Fully body shot of the bully throwing the rocks in the pond.

6. Mid-shot of bully of when he thinks he’s heard something behind him.

7. Mid-shot of the stalker looking scared, because he thinks he’s been seen by the bully.

8. P.O.V. shot of the bully looking behind to see what’s there.

9. Close-up shot of the bully grabbing his bag.

10. Long shot of the bully walking away, where he feels unsafe, constantly, cautiously looking back.

11. Close-up on the stalker looking very angry at the bully.

12. P.O.V. shot of the stalker watching the bully walking away.

Scene six:

1. There will be an establishing shot on the tracks of the between the two met stops, opposite each other, will be a long shot showing the two of them.

2. A long shot showing on side of the met stop.

3. A long shot showing the other side of the met stop.

4. Fully body shot of stalker sat on a bench, covering his face with a newspaper, pulls it down slightly, so that the audience can identify that it is him.

5. Extreme close-up on his eyes that he reveals, whilst the rest of his face is covered by the news paper.

6. P.O.V. shot of the stalker watching the bully from his platform.

7. Full body shot of the bully waiting for his met.

8. Mid-shot of the bully standing, with his hands in his pockets, whilst he feels a note in his jacket pocket.

9. Close-up of the bully taking the note out of his jacket.

10. Mid-shot of the bully as soon as the note is out in the open, then showing him holding it and looking at it in front of him.

11. Extreme close up on the note of what it says, making it legible for the audience to see.

12. Close up of the bully’s face smiling.

13. Mid shot of the bully just looking around.

14. P.O.V. shot of the stalker watching the met emerging to its stop.

15. P.O.V. shot of the stalker looking at the met.

16. Long shot of the bully boarding the met.

17. Mid-shot of the stalker removing the news paper from his face.

18. Full body shot of the stalker standing up, making himself visible to the bully, whilst the bully is on the met.

19. P.O.V. shot of the bully whilst on the met looking out of the window at the stalker.

20. Mid-shot of the bully’s reaction.

21. P.O.V. shot of the bully watching the met leave.

Scene seven:

1. Flashback- Long shot of the bully and his friend with the stalker.

2. Mid-shot of the legs of the bully and stalker, tripping up the stalker.

3. Mid-shot of the bully and friends face laughing at the stalker.

4. Close-up on the stalker’s sad face.

5. Long shot of the three in shot, with the stalker walking off the school grounds, whilst the bully and his friends, carry on pointing and laughing at him.

Scene eight:

1. High, angled, long, establishing shot of the bully in his home whilst the television is on; in his hands he is holding the last of his notes, which he has been recently receiving.

2. A frontward wide shot of the bully lying down, looking at the note in his hands.

3. P.O.V. shot of the bully reading the note.

4. Close-up shot on the bully’s reaction.

5. Repeat shot of the first shot, showing the bully relaxing even more.

Scene nine:

1. Close up shot of a street name sign.

2. Close up shot of a street name sign.

3. Close up shot of a street name sign.

4. Long shot of the bully walking from around a corner.

5. Behind long shot of the bully walking forward.

6. Mid-shot of the bully stood next to a stranger asking for directions to the address he is heading to.

7. A long shot of the two speaking.

8. Mid-shot of the stranger pointing to where the house is.

9. Panning long shot of the bully approaching the door of the given address.

Scene ten:

1. Mid-shot of the bully stood outside the door looking at the note, to self confirm he has reached the correct house.

2. Uprising, tilted, P.O.V. shot from the bully looking at the note, to then slowly seeing the half open door.

3. Behind mid-shot of the bully knocking on the door.

4. Side mid-shot of the bully knocking on the door.

5. Close-up on the bully’s face.

6. A shot of the bully’s arm eventually, resorting to, slowly pushing the door open.

7. A behind tracking shot of the bully walking into the house.

8. A frontward long shot of the bully entering the home.

9. P.O.V. shot of the bully seeing the first sign.

10. A long shot from the top of the stairs of the bully coming up the stairs.

11. A close-up shot of the second sign, telling him to turn left at the top of the stairs.

12. A frontward mid-shot of the bully, walking towards the door.

13. P.O.V. of the bully pushing the door open.

14. A tracking shot facing the stalker, slowly walking up the stairs.

Scene eleven:

1. Establishing long shot of the bully entering the room.

2. Close-up shot of the bully’s face.

3. Rotating shot of the whole room.

4. P.O.V. shot of the bully looking at the candles lit.

5. P.O.V. of the wall of pictures of the bully.

6. Repeat shots of scene one - Tilted uprising shot, within the bedroom.

7. Repeat shots of scene one - Panning mid-shot from the back of the bully, rotating clockwise until it reaches his face.

8. Repeat shots of scene one - Close-up on the bully’s facial expression.

9. Repeat shots of scene one - Extreme close-up on the bully’s eyes.

10. Repeat shots of scene one - Zoom out shot, from the eyes of the bully, managing to capture the opening of the door behind him in the shot.

11. P.O.V. shot of the stalker that entered the room, looking at the bully from behind.

12. Close-up of the bully’s face, looking at the back of his eyes.